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ایران زیبا

بازدید : 12
شنبه 14 مرداد 1402 زمان : 17:08

Carpets are one of the oldest types of Iranian handicrafts. These beautiful and eye-catching handwovens were nomadic handicrafts. These works are often produced by women.

What is a kilim?

Kilims are actually a type of carpet that has a smooth texture. They can be defined as kilims without lint.

Historians believe that: ancient people lived in groups. They have been migrating permanently. Before they start to settle down and build a house, they have arranged foundations for themselves. They use these underlays to rest and sleep at night.

Therefore, the date of the creation of hand-woven kilims and carpets in Iran is estimated to three thousand years BC.

All kinds of kilims

Before mentioning the three types of kilims, it is necessary to mention that they are a type of hand-woven fabrics that are included in the category of pseudo-kilims and are not other than these three types.

Simple kilims: These types of kilims are also called flat or traditional kilims. These kilims are double-sided and the patterns on both sides are the same. Therefore, both can be used on these kilims. Simple and traditional kilims are less thick than other kilims. Carpets in cities such as Ardabil, Semnan and Zanjan are mostly double-sided carpets. Also, Qashqai and Bijar kilims in Kurdistan are also found in the category of simple and traditional Iranian kilims. kilim bag

Sumac kilims: unlike flat kilims, sumac kilims are single-sided, but compared to that type of kilims, they are thicker.

Note: It is interesting to know that the first producers of these two types of kilims, i.e. plain and sumac kilims, were nomadic people.

The combination of these two types of kilims: Although these kilims are one-sided, they are not classified as sumac kilims. Because simple kilims and sumac are woven using a combination of weaving techniques.

pseudo kilims

Plass, Shirki Pitches, Mansads, Gebehs, Zilohs, Glimchehs, Verni and Jajims are among the weavings that are similar to kilims and are considered valuable handicrafts of nomadic peoples.

For example, vernis are one of the types of sumac kilims that are mainly produced in Ardabil. Arsbaran nomads have been one of the most prominent nomads who weave this type of carpet. Verni kilims have different motifs of animals as well as the role of geometric motifs that fill the entire surface of the verni fabric.

Also, gabes are carpet-like kilims that are woven from animal wool. gabes are colored by themselves. And they are produced by the nomads of Khuzestan, Bushehr, Fars, Kohgiluyeh and Boyer Ahmad. The beads that are the color themselves are not dyed and are presented in the same natural color.

The main and required tools in carpet weaving

have

The first necessary tools for carpet weaving are the doors, which are made in two types of metal and wood and in square or rectangular shapes.

In general, there are two types of braces: horizontal braces and vertical braces. We will explain more about them later.

Horizontal fences: Horizontal fences are the simplest types of fences and are the most used among nomads because they are easily moved and placed lying on the ground.

Vertical racks: As the name of this rack suggests, they are placed vertically and standing on the ground. Therefore, because they occupy less space than horizontal racks, they are more significant and advanced. Three types of vertical racks There is.

Fixed fence, which is the most basic type of vertical fence. Lighter dars, which are also known as Tabrizi dars, are the most common type of vertical dars among carpet weavers. Artists who use Dar Tabrizi do not need to change their sitting position during weaving. Because the head has screws that can move, and when necessary, opening and closing those screws is used to move the buckets forward and backward.

It is interesting to know that you can weave carpets with twice the dimensions of a lighter.

Dar Gardan, which is also called Dar Kermani. With this special dar, the artist can weave a kilim of any length he wants. In fact, there is no limit to the length of the kilim.

Daftin

Daftins are also called shoulders. These combs are a metal object. When the carpet weaver passes the weft through the wefts, he hits the wefts with these daftins so that they are completely, firmly and regularly placed between the wefts.

scissor

In addition to picking the threads on the kilim and the fibers, scissors are also used to cut the threads after finishing the work of weaving the kilim.

Fibers used in carpets

The fibers used for carpet weaving are diverse. Fibers such as wool, cotton, silk and fluff. Each of these fibers has characteristics.

Wool fibers are mostly used in carpet wefting. However, because wool is more available than other fibers, the nomads weave more wool kilims.

Feathers are used to weave thin and delicate kilims. Because fluff is very thin hair that is obtained from the chest and armpit of the sheep. Kilims woven from fluff are more valuable than wool kilims.

As you know, silk is a type of soft fiber, which is obtained from silkworms, and as a rule, kilims that are silk have a lot of value and are therefore more expensive.

Patterns and colors of kilims

Since kilims are a type of nomadic handwoven, they have abstract and simple patterns that are mostly inspired by the environment and nature around them and are a symbol of the pure nomadic lifestyle.

Natural motifs such as the sun and plant motifs such as various trees and flowers, among which a tree such as a cedar tree, due to its perpetual greenness, has a special place in the mind of a carpet weaver. The carpet weaver uses horizontal, vertical and diagonal lines as well as very simple geometric patterns in the weaving of carpets.

An important point that we mentioned in the kilim buying guide article is that kilims are woven without a pattern. For this reason, the motifs do not have a specific order. The carpet weaver weaves the carpet according to the mood of his surroundings.

Therefore, the patterns of nomadic kilims are completely dependent on their environment. Although today, due to the popularity of this manual and traditional art, there are also artists who weave kilims using detailed maps.

Patterns and colors of kilims

Since kilims are a type of nomadic handwoven, they have abstract and simple patterns that are mostly inspired by the environment and nature around them and are a symbol of the pure nomadic lifestyle.

Natural motifs such as the pattern of the sun. Vegetal motifs such as trees and flowers. In the meantime, a tree like the cypress tree has a special place in the carpet weaver's mind among other motifs due to its perpetual greenness. The carpet weaver uses horizontal, vertical and diagonal lines as well as very simple geometric patterns in the weaving of carpets.

An important point that we mentioned in the kilim buying guide article is that kilims are woven without a pattern. For this reason, the motifs do not have a specific order and rule, and the carpet weaver weaves the carpet according to the mood of his surroundings.

Therefore, the patterns of nomadic kilims are completely dependent on their environment. Although today, due to the popularity of this manual and traditional art, there are also artists who weave kilims using detailed maps.

The colors used in the carpet

The colors used in kilims are usually natural and traditional colors. In genuine kilims, they use less so-called sharp colors. Therefore, most of the main colors, such as red, yellow, green and blue, are used in carpets. Also, earthy, black and white colors are used, which are a symbol of the nature around them.

Carpet braids now

As mentioned, carpets were previously used as underlays in different places. But today, these beautiful and traditional handicrafts have found a special place in combination with other handmade works and have found different uses.

It can be seen that kilims are used in homes today as cushion covers or in special and modern paintings. Similarly, it has found new uses in combination with bags and other leather works. Creative artists also use this traditional and old art in creating different ornaments. They try to keep alive these works with authenticity and ancient culture against the spread of industrial works.

Carpets are one of the oldest types of Iranian handicrafts. These beautiful and eye-catching handwovens were nomadic handicrafts. These works are often produced by women.

What is a kilim?

Kilims are actually a type of carpet that has a smooth texture. They can be defined as kilims without lint.

Historians believe that: ancient people lived in groups. They have been migrating permanently. Before they start to settle down and build a house, they have arranged foundations for themselves. They use these underlays to rest and sleep at night.

Therefore, the date of the creation of hand-woven kilims and carpets in Iran is estimated to three thousand years BC.

All kinds of kilims

Before mentioning the three types of kilims, it is necessary to mention that they are a type of hand-woven fabrics that are included in the category of pseudo-kilims and are not other than these three types.

Simple kilims: These types of kilims are also called flat or traditional kilims. These kilims are double-sided and the patterns on both sides are the same. Therefore, both can be used on these kilims. Simple and traditional kilims are less thick than other kilims. Carpets in cities such as Ardabil, Semnan and Zanjan are mostly double-sided carpets. Also, Qashqai and Bijar kilims in Kurdistan are also found in the category of simple and traditional Iranian kilims. kilim bag

Sumac kilims: unlike flat kilims, sumac kilims are single-sided, but compared to that type of kilims, they are thicker.

Note: It is interesting to know that the first producers of these two types of kilims, i.e. plain and sumac kilims, were nomadic people.

The combination of these two types of kilims: Although these kilims are one-sided, they are not classified as sumac kilims. Because simple kilims and sumac are woven using a combination of weaving techniques.

pseudo kilims

Plass, Shirki Pitches, Mansads, Gebehs, Zilohs, Glimchehs, Verni and Jajims are among the weavings that are similar to kilims and are considered valuable handicrafts of nomadic peoples.

For example, vernis are one of the types of sumac kilims that are mainly produced in Ardabil. Arsbaran nomads have been one of the most prominent nomads who weave this type of carpet. Verni kilims have different motifs of animals as well as the role of geometric motifs that fill the entire surface of the verni fabric.

Also, gabes are carpet-like kilims that are woven from animal wool. gabes are colored by themselves. And they are produced by the nomads of Khuzestan, Bushehr, Fars, Kohgiluyeh and Boyer Ahmad. The beads that are the color themselves are not dyed and are presented in the same natural color.

The main and required tools in carpet weaving

have

The first necessary tools for carpet weaving are the doors, which are made in two types of metal and wood and in square or rectangular shapes.

In general, there are two types of braces: horizontal braces and vertical braces. We will explain more about them later.

Horizontal fences: Horizontal fences are the simplest types of fences and are the most used among nomads because they are easily moved and placed lying on the ground.

Vertical racks: As the name of this rack suggests, they are placed vertically and standing on the ground. Therefore, because they occupy less space than horizontal racks, they are more significant and advanced. Three types of vertical racks There is.

Fixed fence, which is the most basic type of vertical fence. Lighter dars, which are also known as Tabrizi dars, are the most common type of vertical dars among carpet weavers. Artists who use Dar Tabrizi do not need to change their sitting position during weaving. Because the head has screws that can move, and when necessary, opening and closing those screws is used to move the buckets forward and backward.

It is interesting to know that you can weave carpets with twice the dimensions of a lighter.

Dar Gardan, which is also called Dar Kermani. With this special dar, the artist can weave a kilim of any length he wants. In fact, there is no limit to the length of the kilim.

Daftin

Daftins are also called shoulders. These combs are a metal object. When the carpet weaver passes the weft through the wefts, he hits the wefts with these daftins so that they are completely, firmly and regularly placed between the wefts.

scissor

In addition to picking the threads on the kilim and the fibers, scissors are also used to cut the threads after finishing the work of weaving the kilim.

Fibers used in carpets

The fibers used for carpet weaving are diverse. Fibers such as wool, cotton, silk and fluff. Each of these fibers has characteristics.

Wool fibers are mostly used in carpet wefting. However, because wool is more available than other fibers, the nomads weave more wool kilims.

Feathers are used to weave thin and delicate kilims. Because fluff is very thin hair that is obtained from the chest and armpit of the sheep. Kilims woven from fluff are more valuable than wool kilims.

As you know, silk is a type of soft fiber, which is obtained from silkworms, and as a rule, kilims that are silk have a lot of value and are therefore more expensive.

Patterns and colors of kilims

Since kilims are a type of nomadic handwoven, they have abstract and simple patterns that are mostly inspired by the environment and nature around them and are a symbol of the pure nomadic lifestyle.

Natural motifs such as the sun and plant motifs such as various trees and flowers, among which a tree such as a cedar tree, due to its perpetual greenness, has a special place in the mind of a carpet weaver. The carpet weaver uses horizontal, vertical and diagonal lines as well as very simple geometric patterns in the weaving of carpets.

An important point that we mentioned in the kilim buying guide article is that kilims are woven without a pattern. For this reason, the motifs do not have a specific order. The carpet weaver weaves the carpet according to the mood of his surroundings.

Therefore, the patterns of nomadic kilims are completely dependent on their environment. Although today, due to the popularity of this manual and traditional art, there are also artists who weave kilims using detailed maps.

Patterns and colors of kilims

Since kilims are a type of nomadic handwoven, they have abstract and simple patterns that are mostly inspired by the environment and nature around them and are a symbol of the pure nomadic lifestyle.

Natural motifs such as the pattern of the sun. Vegetal motifs such as trees and flowers. In the meantime, a tree like the cypress tree has a special place in the carpet weaver's mind among other motifs due to its perpetual greenness. The carpet weaver uses horizontal, vertical and diagonal lines as well as very simple geometric patterns in the weaving of carpets.

An important point that we mentioned in the kilim buying guide article is that kilims are woven without a pattern. For this reason, the motifs do not have a specific order and rule, and the carpet weaver weaves the carpet according to the mood of his surroundings.

Therefore, the patterns of nomadic kilims are completely dependent on their environment. Although today, due to the popularity of this manual and traditional art, there are also artists who weave kilims using detailed maps.

The colors used in the carpet

The colors used in kilims are usually natural and traditional colors. In genuine kilims, they use less so-called sharp colors. Therefore, most of the main colors, such as red, yellow, green and blue, are used in carpets. Also, earthy, black and white colors are used, which are a symbol of the nature around them.

Carpet braids now

As mentioned, carpets were previously used as underlays in different places. But today, these beautiful and traditional handicrafts have found a special place in combination with other handmade works and have found different uses.

It can be seen that kilims are used in homes today as cushion covers or in special and modern paintings. Similarly, it has found new uses in combination with bags and other leather works. Creative artists also use this traditional and old art in creating different ornaments. They try to keep alive these works with authenticity and ancient culture against the spread of industrial works.

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